卷三十三

    <tr>

    <td>

    目　　录　<span class="q">二十

    五调五十九体，起一百四字至一百五字</span>

    宴琼林二体</span>

    潇湘逢故人慢二体

    惜余欢一体

    拜星月慢四体<span class="q">又名拜新月</span>

    绮寮怨三体</span>

    花心动九体<span class="q">又名好心动、桂香飘、上升花、花心慢动</span>

    向湖边一体</span>

    阳春二体<span class="q">又名阳春曲</span>

    送入我门来一体</span>

    绕池游慢一体

    索　酒一体

    瑞云浓慢一体

    霜花腴一体

    绮罗香三体

    玉连环一体

    春从天上来四体

    西湖月二体

    爱月夜眠迟慢一体

    合欢带二体

    曲玉管一体

    早梅芳慢一体

    尉迟杯七体

    花发沁园春二体

    赏南枝一体

    南　浦五体</span>

    </span>

    宴琼林　　唐教坊曲名。《宋史·乐志》：双调。</span>

    宴琼林　<span class="q">双调一百四字，前段十句四仄韵，后段十句五仄韵</span>　　　　　　　　　　黄　裳</span>

    红紫趁春阑<span class="q">句</span>独万簇琼英<span class="q">句</span>尤未开罢<span class="q">韵</span>问谁共<span class="q">读</span>绿幄宴群真<span class="q">句</span>皓雪肌肤相亚<span class="q">韵</span>华堂路<span class="q">句</span>小桥边<span class="q">句

    </span>○●●○○　●●●○○　○●○●　●○◎　●●●○○　●●⊙○○●　○○●　●○○

    向晴阴一架<span class="q">韵</span>为香清<span class="q">读</span>把作寒梅看<span class="q">句</span>喜风来偏惹<span class="q">韵</span>　　莫笑因缘<span class="q">句</span>见影跨春空<span class="q">句</span>荣称亭榭<span class="q">韵</span>助巧</span>

    ●○○●●　●○○　●●○○●　●○○○●　　　●●○○　●●●○○　○○○●　●●

    笑<span class="q">读</span>晓妆如画<span class="q">韵</span>有花钿堪借<span class="q">韵</span>新醅泛<span class="q">读</span>寒冰几点<span class="q">句</span>拌今日<span class="q">读</span>醉尤飞斝<span class="q">韵</span>翠罗帏中<span class="q">句</span>卧蟾光碎<span class="q">句</span>何</span>

    ●　●○○●　●○○⊙●　○○●　○○●●　⊙○●　●○○●　●○○○　●○○●　○

    须待还舍<span class="q">韵</span>

    ○●○●

    ·

    此调惟黄裳词二首，句读大同小异。此词可平可仄，即参下词句读同者。

    </span>

    又一体　<span class="q">双调一百三字，前段九句四仄韵，后段八句四仄韵</span>　　　　　　　　　黄　裳</span>

    霜月和银灯<span class="q">句</span>乍送目楼台<span class="q">句</span>星汉高下<span class="q">韵</span>爱东风<span class="q">读</span>已暖绮罗香<span class="q">句</span>竞走去来车马<span class="q">韵</span>红莲万斛<span class="q">句</span>开尽</span>

    ○●●○○　●●●○○　○●○●　●○○　●●●○○　●●●○○●　○○●●　○●

    处<span class="q">读</span>长安一夜<span class="q">韵</span>少年郎<span class="q">读</span>两两桃花面<span class="q">句</span>有余光相借<span class="q">韵</span>　　因甚灵山在此<span class="q">句</span>是何人<span class="q">读</span>能运神化<span class="q">韵

    </span>●　○○●●　●○○　●●○○●　●○○○●　　　○●○○●●　●○○　○●○●

    对景便作神仙会<span class="q">句</span>恐云骈且驾<span class="q">韵</span>思曾侍<span class="q">读</span>龙楼俯览<span class="q">句</span>笑声远<span class="q">读</span>洞天飞斝<span class="q">韵</span>向东尤幸时如故<span class="q">句</span>群</span>

    ●●●●○○●　●○○●●　○○●　○○●●　●○●　●○○●　●○○●○○●　○

    芳未开谢<span class="q">韵</span>

    ○●○●

    ·

    此词前段第六、七句，后段起、结处俱与前首不同。

    </span>

    </span>

    潇湘逢故人慢　　调见《花庵词选》。</span>

    潇湘逢故人慢　<span class="q">双调一百四字，前后段各十句，五平韵</span>　　　　　　　　　　　王安礼</span>

    薰风微动<span class="q">句</span>方樱桃弄色<span class="q">句</span>萱草成窠<span class="q">韵</span>翠帏敞轻罗<span class="q">韵</span>试冰簟初展<span class="q">句</span>几尺湘波<span class="q">韵</span>疏檐广厦<span class="q">句</span>称潇湘<span class="q">读

    </span>○○○●　○○○◎●　⊙●○○　●○●○○　●○●○●　●●○○　○○●●　●○○

    一枕南柯<span class="q">韵</span>引多少<span class="q">读</span>梦魂归绪<span class="q">句</span>洞庭雨棹烟蓑<span class="q">韵</span>　　惊回处<span class="q">句</span>闲昼永<span class="q">句</span>更时时<span class="q">读</span>燕雏莺友相过<span class="q">韵

    </span>●●○○　●○●　●○○●　◎○●●○○　　　○○●　○●●　●○○　●○○●○○

    正绿影婆娑<span class="q">韵</span>况庭有幽花<span class="q">句</span>池有新荷<span class="q">韵</span>青梅煮酒<span class="q">句</span>幸随分<span class="q">读</span>赢得高歌<span class="q">韵</span>功名事<span class="q">读</span>到头终在<span class="q">句</span>岁华</span>

    ●●●○○　●○●○○　○●○○　○○●●　●○●　○●○○　○○●　●○⊙●　●○

    忍负清和<span class="q">韵</span>

    ●●○○

    ·

    此调只有王词及钱词两体，故此词可平可仄，即参钱词句法同者。

    </span>

    又一体　<span class="q">双调一百四字，前段十一句四平韵，后段十句五平韵</span>　　　　　　　　　钱应金</span>

    深秋村落<span class="q">句</span>夸青菱香熟<span class="q">句</span>素手甜和<span class="q">韵</span>擘紫蟹<span class="q">句</span>蒸黄雀<span class="q">句</span>知己团聚<span class="q">句</span>笑语婆娑<span class="q">韵</span>浓烟淡雪<span class="q">句</span>剪湘</span>

    ○○○●　○○○○●　●●○○　●●●　○○●　○●○●　●●○○　○○●●　●○

    湖<span class="q">读</span>几尺渔蓑<span class="q">韵</span>纵消受<span class="q">读</span>白苹红蓼<span class="q">句</span>生平未免情多<span class="q">韵</span>　　空怀古<span class="q">句</span>时悱恻<span class="q">句</span>十年来<span class="q">读</span>可偿文债</span>

    ●　●●○○　●○●　●○○●　○○●●○○　　　○○●　○●●　●○○　●○○●

    诗魔<span class="q">韵</span>叹世路蹉跎<span class="q">韵</span>恐心费参熊<span class="q">句</span>眉费松螺<span class="q">韵</span>风期阔绝<span class="q">句</span>喜今夕<span class="q">读</span>重话云窝<span class="q">韵</span>寒潭月<span class="q">读</span>皎然见</span>

    ○○　●●●○○　●○●○○　○●○○　○○●●　●○●　○●○○　○○●　●○●

    底<span class="q">句</span>问君不醉如何<span class="q">韵

    </span>●　●○●●○○

    ·

    此调前段第四句，例作五字句、又押韵，第五句作上一下四句法。此词第四句作三字两句、不押韵，张五句作四字一句，与调不合。因此调宋词绝少，采以备体。　《词统》有王秋英仄韵词，句读与王词同，因见明人小说，恐不足据，故不编入。

    </span>

    </span>

    惜余欢　　黄庭坚自度腔，因词有“少延欢洽”句，取以为名。</span>

    惜余欢　<span class="q">双调一百四字，前段十一句四仄韵，后段十一句五仄韵</span>　　　　　　　　黄庭坚</span>

    四时美景<span class="q">句</span>正年少赏心<span class="q">句</span>频启东阁<span class="q">韵</span>芳酒载盈车<span class="q">句</span>喜朋侣簪盍<span class="q">韵</span>杯觯交飞<span class="q">句</span>劝酬互献<span class="q">句</span>正酣饮<span class="q">读

    </span>●○●●　●○●●○　○●○●　○●●○○　●○●○●　○●○○　●○●●　●○●

    醉主公陈榻<span class="q">韵</span>坐来争奈<span class="q">句</span>玉山未颓<span class="q">句</span>兴寻巫峡<span class="q">韵</span>　　歌阑旋烧绛蜡<span class="q">韵</span>况漏转铜壶<span class="q">句</span>烟断香鸭<span class="q">韵</span>犹</span>

    ●●○○●　●○○○　●○●○　●○○●　　　○○●○●●　●●●○○　○●○●　○

    整醉中花<span class="q">句</span>借纤手重插<span class="q">韵</span>相将扶上<span class="q">句</span>金鞍騕褭<span class="q">句</span>碾春焙<span class="q">读</span>愿少延欢洽<span class="q">韵</span>未须归去<span class="q">句</span>重寻艳歌<span class="q">句</span>更</span>

    ●●○○　●○●○●　○○○●　○○●●　●○●　●●○○●　●○○●　○○●○　●

    留时霎<span class="q">韵</span>

    ○○●

    ·

    此调只有此词，无别首可校。　前段第七句，坊本脱一“互”字，与调不合，今为增定。

    </span>

    </span>

    拜星月慢　　一作《拜新月》。唐教坊曲名。《宋史·乐志》：般涉调。</span>

    拜星月慢　<span class="q">双调一百四字，前段十句四仄韵，后段八句六仄韵</span>　　　　　　　　　周邦彦</span>

    夜色催更<span class="q">句</span>清尘收露<span class="q">句</span>小曲幽坊月暗<span class="q">韵</span>竹槛灯窗<span class="q">句</span>识秋娘庭院<span class="q">韵</span>笑相遇<span class="q">句</span>似觉<span class="q">读</span>琼枝玉树相倚<span class="q">句

    </span>●●○○　⊙○⊙●　◎●○○◎●　●●○○　●○○○●　●○●　●●　○○●●○●

    暖日明霞光烂<span class="q">韵</span>水眄兰情<span class="q">句</span>总平生稀见<span class="q">韵</span>　　画图中<span class="q">读</span>旧识春风面<span class="q">韵</span>谁知道<span class="q">读</span>自到瑶台畔<span class="q">韵</span>眷恋</span>

    ●●⊙○○●　◎●⊙○　●○○○●　　　●○○　●●○○●　⊙○◎　●●○○●　◎●

    雨润云温<span class="q">句</span>苦惊风吹散<span class="q">韵</span>念荒寒<span class="q">读</span>寄宿无人馆<span class="q">韵</span>重门闭<span class="q">读</span>败壁秋虫叹<span class="q">韵</span>争奈向<span class="q">读</span>一缕相思<span class="q">句</span>隔溪</span>

    ●◎○⊙　●○○○●　●○○　●●○○●　○○●　◎●○○●　⊙◎●　◎●○○　●○

    山不断<span class="q">韵</span>

    ○●● </span>

    ·

    此调始自此词，应以此词为正体，吴文英词照此填。若周词之句读小异，陈词、彭词之减字，皆变格也。　此词前段第七句八字，上二字例作一读，第八句六字，与上六字对偶，如吴文英词之“暂负、吟花酌露尊俎，冷玉红香罍洗”，最为合格。　此词前段第五句、结句，后段第四句、结句，例作上一下四句法，如吴文英词之“老扁舟身世”、“古陶洲十里”、“洗湘娥春腻”、“泣秋檠烛外”，皆然。　按，吴文英词，前段第二句“碧霞笼夜”，碧字仄声；第九句“眼眩意迷”，意字仄声。谱内可平可仄据此，其余平仄，悉参周、陈、彭三词。　吴文英词，前段结句“古陶洲十里”，十字入声；后段第六句“吹不散、绣屋重门闭”，不字入声。俱以入作平，不注可仄。

    </span>

    又一体　<span class="q">双调一百四字，前段十句四仄韵，后段八句六仄韵</span>　　　　　　　　　　周　密</span>

    腻叶阴清<span class="q">句</span>孤花香冷<span class="q">句</span>迤逦芳洲春换<span class="q">韵</span>薄酒孤吟<span class="q">句</span>怅相如游倦<span class="q">韵</span>想人在<span class="q">读</span>絮幕香帘凝望<span class="q">句</span>误认几</span>

    ●●○○　○○○●　○●○○○●　●●○○　●○○○●　●○●　●●○○○●　●●●

    许<span class="q">句</span>烟樯风幔<span class="q">韵</span>芳草天涯<span class="q">句</span>负华堂双燕<span class="q">韵</span>　　记箫声<span class="q">读</span>淡月梨花院<span class="q">韵</span>砑红笺<span class="q">读</span>漫写东风怨<span class="q">韵</span>一夜</span>

    ●　○○○●　○●○○　●○○○●　　　●○○　●●○○●　●○○　●●○○●　●●

    落月啼鴂<span class="q">句</span>唤河桥吟遍<span class="q">韵</span>荡归心<span class="q">读</span>又过江南岸<span class="q">韵</span>清宵梦<span class="q">读</span>远逐飞花乱<span class="q">韵</span>几千万<span class="q">读</span>丝缕垂杨<span class="q">句</span>系春</span>

    ●○○●　●○○○●　●○○　●●○○●　○○●　●●○○●　●○●　○●○○　●○

    愁不断<span class="q">韵</span>

    ○●●

    ·

    此与周邦彦词同，惟前段第六、七、八句，作九字一句、四字两句异。

    </span>

    又一体　<span class="q">双调一百二字，前段十句四仄韵，后段八句六仄韵</span>　　　　　　　　　　陈允平</span>

    漏阁闲签<span class="q">句</span>琴窗倦谱<span class="q">句</span>露湿宵萤欲暗<span class="q">韵</span>雁咽凉声<span class="q">句</span>寂寞芙蓉院<span class="q">韵</span>画檐外<span class="q">句</span>树色惊霜渐改<span class="q">句</span>澹碧</span>

    ●●○○　○○●●　●●○○●●　●●○○　●●○○●　●○●　●●○○●●　●●

    云疏星烂<span class="q">韵</span>旧约桐阴<span class="q">句</span>问何时重见<span class="q">韵</span>　　倚银屏<span class="q">读</span>更忆秋娘面<span class="q">韵</span>想凌波<span class="q">读</span>共立河桥畔<span class="q">韵</span>重念酒</span>

    ○○○●　●●○○　●○○○●　　　●○○　●●○○●　●○○　●●○○●　○●●

    污罗襦<span class="q">句</span>渐金篝香散<span class="q">韵</span>剪孤灯<span class="q">读</span>伴宿西风馆<span class="q">韵</span>黄花梦<span class="q">读</span>对发凄凉叹<span class="q">韵</span>但怅望<span class="q">读</span>一水家山<span class="q">句</span>被红</span>

    ●○○　●○○○●　●○○　●●○○●　○○●　●●○○●　●●●　●●○○　●○

    尘隔断<span class="q">韵</span>

    ○●●

    ·

    此和周词也，惟前段第七句减二字异。　此调前段第五句，例作上一下四句法，此词泛作五言，与调不合，故不校注。

    </span>

    又一体　<span class="q">双调一百一字，前段九句四仄韵，后段八句六仄韵</span>　　　　　　　　　　彭泰翁</span>

    雾滑觚稜<span class="q">句</span>尘侵团扇<span class="q">句</span>恨满哀弹倦理<span class="q">韵</span>控雨笼云<span class="q">句</span>共闲情孤倚<span class="q">韵</span>敛娥黛<span class="q">读</span>怕似流莺历历<span class="q">句</span>惹得玉</span>

    ●●○○　○○○●　●●○○●●　●●○○　●○○○●　●○●　●●○○●●　●●●

    销琼碎<span class="q">韵</span>可惜阑干<span class="q">句</span>但苔花沈穗<span class="q">韵</span>　　算天音<span class="q">读</span>不入人间耳<span class="q">韵</span>何人漫<span class="q">读</span>裛损青衫泪<span class="q">韵</span>不是旧谱都</span>

    ○○●　●●○○　●○○○●　　　●○○　●●○○●　○○●　●●○○●　●●●●○

    忘<span class="q">句</span>厌新腔娇脆<span class="q">韵</span>多生不得丹青意<span class="q">韵</span>重来又<span class="q">读</span>花锁重门闭<span class="q">韵</span>到夜永<span class="q">读</span>笙鹤归时<span class="q">句</span>月明天似水<span class="q">韵

    </span>○　●○○○●　○○●●○○●　○○●　○●○○●　●●●　○●○○　●○○●●

    ·

    此与陈词同，惟后段第五句又减一字异。　诸家前后段结句，俱作上一下四句法，此词后结，亦与调不合。

    </span>

    </span>

    绮寮怨　　调见《片玉词》。</span>

    绮寮怨　<span class="q">双调一百四字，前段八句四平韵，后段九句七平韵</span>　　　　　　　　　　周邦彦</span>

    上马人扶残醉<span class="q">句</span>晓风吹未醒<span class="q">韵</span>映水曲<span class="q">读</span>翠瓦朱檐<span class="q">句</span>垂杨里<span class="q">读</span>乍见津亭<span class="q">韵</span>当时曾题败壁<span class="q">句</span>蛛丝罩<span class="q">读

    </span>●●○○⊙●　●○○●○　◎◎●　◎●○○　⊙○●　◎●○○　○○⊙○◎●　⊙⊙●

    淡墨苔晕青<span class="q">韵</span>念去来<span class="q">读</span>岁月如流<span class="q">句</span>徘徊久<span class="q">读</span>叹息愁思盈<span class="q">韵</span>　　　去去倦寻路程<span class="q">韵</span>江陵旧事<span class="q">句</span>何曾</span>

    ●●○●○　●◎○　●●○○　○○●　◎●○●○　　　　◎●◎○●○　○○◎●　⊙○

    再问杨琼<span class="q">韵</span>旧曲凄清<span class="q">韵</span>敛愁黛<span class="q">读</span>与谁听<span class="q">韵</span>尊前故人如在<span class="q">句</span>想念我<span class="q">读</span>最关情<span class="q">韵</span>何须渭城<span class="q">韵</span>歌声未尽</span>

    ●●○○　◎●○○　◎⊙●　●○○　○○◎○○●　◎●●　●○○　○○●○　⊙○●◎</span>

    处<span class="q">句</span>先泪零<span class="q">韵

    </span>●　○●○ </span>

    ·

    此调以此词为正体，赵文、王学文词，俱依此填。若陈词之前结减二字，鞠词之后结减一字，皆变格也。　按，王词，前段第一句“忽忽东风又老”，又字仄声；第三句“疏帘下、茶鼎孤烟”，疏字、帘字、茶字俱平声；第四句“断桥外、梅豆千林”，断字仄声，梅字平声；赵词，第五句“当时点云滴雨”，点字仄声，王词，“江南庾郎憔悴”，憔字平声；王词，第六句“睡未醒、病酒愁怎禁”，睡字、未字俱仄声；赵词，第七句“算人间、最苦多情”，人字平声；第八句“争知道、天上情更深”，天字平声；王词，后段第一句“千曲囊中古琴”，千字、囊字俱平声；第三句“不堪旧事重寻”，不字仄声；第四句“当日登临”，当字平声；第五句“都化作梦销沈”，化字仄声；第六句“元龙丘坟无恙”，丘字平声；赵词，第七句“吹紫宇、澹成林”，吹字平声；王词，第九句“问何似、啼鸟枝上音”，问字仄声，啼字平声。谱内可平可仄据此，余参所采二词。

    </span>

    又一体　<span class="q">双调一百二字，前段八句四平韵，后段九句四平韵</span>　　　　　　　　　　陈允平</span>

    满架酴醿开尽<span class="q">句</span>杜鹃啼梦醒<span class="q">韵</span>记晓月<span class="q">读</span>绿水桥边<span class="q">句</span>东风又<span class="q">读</span>折柳旗亭<span class="q">韵</span>蒙茸轻烟草色<span class="q">句</span>疏帘净<span class="q">读

    </span>●●○○○●　●○○●○　●●●　●●○○　○○●　●●○○　○○○○●●　○○●

    乱织罗带青<span class="q">韵</span>对一尊别酒<span class="q">句</span>征衫上<span class="q">读</span>点滴香泪盈<span class="q">韵</span>　　几度恨沈断云<span class="q">句</span>飞鸾何处<span class="q">句</span>连环尚结双</span>

    ●●○●○　●●○●●　○○●　●●○●○　　　●●●○●○　○○○●　○○●●○

    琼<span class="q">韵</span>一曲琵琶<span class="q">句</span>湓江上<span class="q">读</span>惯曾听<span class="q">韵</span>依依翠屏香冷<span class="q">句</span>听夜雨<span class="q">读</span>动离情<span class="q">韵</span>春深小楼<span class="q">句</span>无心对锦瑟<span class="q">读</span>空</span>

    ○　●●○○　○○●　●○○　○○●○○●　●●●　●○○　○○●○　○○●●●　○

    涕零<span class="q">韵</span>

    ●○

    ·

    此和周词也，惟前段第七句减二字，又后段第四句、第八句俱不押韵异。

    </span>

    又一体　<span class="q">双调一百三字，前段八句四平韵，后段九句七平韵</span>　　　　　　　　　鞠华翁</span>

    又见花阴如水<span class="q">句</span>两心犹未平<span class="q">韵</span>正坐久<span class="q">读</span>主客成三<span class="q">句</span>空无语<span class="q">读</span>影落楸枰<span class="q">韵</span>千年人间事业<span class="q">句</span>垂成处<span class="q">读

    </span>●●○○○●　●○○●○　●●●　●●○○　○○●　●●○○　○○○○●●　○○●

    一著容易倾<span class="q">韵</span>便解围<span class="q">读</span>小住何妨<span class="q">句</span>机锋在<span class="q">读</span>瞬息天又明<span class="q">韵</span>　　甚似汉吴对营<span class="q">韵</span>纷纷不了<span class="q">句</span>孤光照</span>

    ●●○●○　●●○　●●○○　○○●　●●○●○　　　●●●○●○　○○●●　○○●

    彻连城<span class="q">韵</span>又似残星<span class="q">韵</span>向零落<span class="q">读</span>有余情<span class="q">韵</span>嫦娥笑人迟暮<span class="q">句</span>念未力<span class="q">读</span>底须争<span class="q">韵</span>从亏又成<span class="q">韵</span>何人正<span class="q">读</span>隔</span>

    ●○○　●●○○　●○●　●○○　○○●○○●　●●●　●○○　○○●○　○○●　●

    屋睡声<span class="q">韵</span>

    ●●○

    ·

    此亦与周词同，惟后段结句减一字异。

    </span>

    </span>

    花心动　　金词注：小石调；元词注：双调。曹勋词，名《好心动》；曹冠词，名《桂飘香》；《鸣鹤余音》词，名《上升花》；《高丽史·乐志》，名《花心动慢》。</span>

    花心动　<span class="q">双调一百四字，前段十句四仄韵，后段八句五仄韵</span>　　　　　　　　　　史达祖</span>

    风约帘波<span class="q">句</span>锦机寒<span class="q">读</span>难遮海棠烟雨<span class="q">韵</span>夜酒未苏<span class="q">句</span>春枕犹敧<span class="q">句</span>曾是误成歌舞<span class="q">韵</span>半褰薇帐云头散<span class="q">句</span>奈</span>

    ⊙●○○　●○○　○○●○○●　◎●◎○　⊙●○○　⊙●●○○●　●○○●○○●　◎</span>

    愁味<span class="q">读</span>不随香去<span class="q">韵</span>尽沈静<span class="q">句</span>文园更渴<span class="q">句</span>有人知否<span class="q">韵</span>　　懒记温柔旧处<span class="q">韵</span>偏只怕<span class="q">读</span>临风见他桃树<span class="q">韵

    </span>⊙●　◎○○●　●○●　○○●●　●○○●　　　●●○○◎●　○◎●　○○●○○●

    绣户锁尘<span class="q">句</span>锦瑟空弦<span class="q">句</span>无复画眉心绪<span class="q">韵</span>待拈银管书春恨<span class="q">句</span>被双燕<span class="q">读</span>替人言语<span class="q">韵</span>望不尽<span class="q">读</span>垂杨几千</span>

    ◎●◎○　◎●○○　⊙●●○○●　◎○⊙●○○●　◎⊙●　◎○○●　●◎●　⊙○●○

    万缕<span class="q">韵</span>

    ●●

    ·

    此调始自周邦彦，但周词后段多押两韵，宋人照此填者甚少，故以史词作谱。若吴词之多押一韵，赵词之多押两韵、或添字，刘词之句读小异，谢词之句读不同，曹词、无名氏词之减字，悉为类列，以备各体。　谱内可平可仄，参下周、吴、刘、赵四词。　此词前段第二句，例作仄平平，平平仄平平仄，若赵长卿词“暗香飘，扑面无限清楚”，与调不合。又，前后段第三、四句俱四字，第二字例用仄声，第四字例用平声，若张元幹词“簟枕乍闲，襟裾初试”、“旧恨未平，幽欢难驻”，与诸家不同，概不校注平仄。　又按，黄子行词，前段第二句“把谪仙、长笛一声吹裂”，谪字入声，以入作平；张元幹词，前段第八句“夜未阑”，未字仄声，阑字平声；后段结句“南楼画角自语”，角字仄声；马古洲词，前段第二句“被年时、桃花杏花占了”，占字仄声；前后段第七句“试浓抹、当场索笑”、“又何必、拈枝比较”，索字、比字仄声。俱与诸家不同，及谱中刘词，后段第三句“一”字入声，第八句“不”字入声，俱以入作平；赵词前段结句“满”字仄声，曹词后段结句“凤”字仄声，俱与调不合，亦不校注平仄。

    </span>

    又一体　<span class="q">双调一百四字，前段十句四仄韵，后段九句七仄韵</span>　　　　　　　　　　周邦彦</span>

    帘卷青楼<span class="q">句</span>东风满<span class="q">读</span>杨花乱飘晴昼<span class="q">韵</span>兰袂褪香<span class="q">句</span>罗帐褰红<span class="q">句</span>绣枕旋移相就<span class="q">韵</span>海棠花谢春融暖<span class="q">句</span>偎</span>

    ○●○○　○○●　○○●○○●　○●●○　○●○○　●●●○○●　●○○●○○●　○

    人恁<span class="q">读</span>娇波频溜<span class="q">韵</span>象床稳<span class="q">句</span>鸳衾漫展<span class="q">句</span>浪翻红绉<span class="q">韵</span>　　一夜情浓似酒<span class="q">韵</span>香汗渍<span class="q">读</span>鲛绡几番微透<span class="q">韵

    </span>○●　○○○●　●○●　○○●●　●○○●　　　●●○○●●　○●●　○○●○○●

    鸾困凤慵<span class="q">句</span>娅姹双眼<span class="q">句</span>画也画应难就<span class="q">韵</span>问伊可煞於人厚<span class="q">韵</span>梅萼露<span class="q">读</span>胭脂檀口<span class="q">韵</span>从此后<span class="q">读</span>纤腰为郎</span>

    ○●●○　●●○●　●●●○○●　●○●●○○●　○●●　○○○●　○●●　○○●○

    管瘦<span class="q">韵</span>

    ●● </span>

    ·

    此与史词同，惟后段第六句、第八句俱押韵异。　后段第四句“眼”字仄声，诸家如此填者甚少，故此词虽始自周词，亦不校注平仄。

    </span>

    又一体　<span class="q">双调一百四字，前段十句五仄韵，后段九句五仄韵</span>　　　　　　　　　　吴文英</span>

    十里东风<span class="q">句</span>袅垂杨<span class="q">读</span>长似舞时腰瘦<span class="q">韵</span>翠馆朱楼<span class="q">句</span>紫陌青门<span class="q">句</span>处处燕莺晴昼<span class="q">韵</span>乍看摇曳金丝绶<span class="q">韵</span>春</span>

    ●●○○　●○○　○●●○○●　●●○○　●●○○　●●●○○●　●○○●○○●　○

    浅映<span class="q">读</span>鹅黄如酒<span class="q">韵</span>嫩阴里<span class="q">句</span>烟滋露染<span class="q">句</span>翠娇红溜<span class="q">韵</span>　　此际雕鞍去久<span class="q">韵</span>空追念<span class="q">读</span>邮亭短枝盈首<span class="q">韵

    </span>●●　○○○●　●○●　○○●●　●○○●　　　●●○○●●　○○●　○○●○○●

    海角天涯<span class="q">句</span>寒食清明<span class="q">句</span>泪点絮花沾袖<span class="q">韵</span>去年折赠行人远<span class="q">句</span>今年恨<span class="q">读</span>依然纤手<span class="q">韵</span>断肠也<span class="q">句</span>羞眉画应</span>

    ●●○○　○●○○　●●●○○●　○○●●○○●　○○●　○○○●　●○●　○○●○

    未就<span class="q">韵</span>

    ●●

    ·

    此与史词同，惟前段第七句押韵异。　按，张元幹词，“断云却送轻雷去，疏林外、玉钩微吐”，正与此同。

    </span>

    又一体　<span class="q">双调一百四字，前段十句四仄韵，后段九句五仄韵</span>　　　　　　　　　　刘　焘</span>

    偏忆江梅<span class="q">句</span>有尘表丰仪<span class="q">句</span>世外标格<span class="q">韵</span>低傍小桥<span class="q">句</span>斜出疏篱<span class="q">句</span>似向陇头曾识<span class="q">韵</span>暗香孤韵冰霜里<span class="q">句</span>初</span>

    ○●○○　●○●○○　●●○●　○●●○　○●○○　●●●○○●　●○○●○○●　○

    不怕<span class="q">读</span>春寒要勒<span class="q">韵</span>问桃李贤们<span class="q">句</span>怎生向前争得<span class="q">韵</span>　　省共萧娘去摘<span class="q">韵</span>玉纤映琼枝<span class="q">句</span>照人一色<span class="q">韵</span>淡</span>

    ●●　○○○●　●○●○○　●○●○○●　　　●●○○●●　●○●○○　●○●●　●

    粉晕酥<span class="q">句</span>多少工夫<span class="q">句</span>到得寿阳宫额<span class="q">韵</span>再三留待东君管<span class="q">句</span>都拌醉<span class="q">句</span>别花不惜<span class="q">韵</span>但只恐<span class="q">读</span>南楼又三弄</span>

    ●●○　○●○○　●●●○○●　●○○●○○●　○○●　●○●●　●●●　○○●○●

    笛<span class="q">韵</span>

    ●

    ·

    此词亦史词体，惟前后段第五句作五字一句、四字一句，前结作五字一句、六字一句异。

    </span>

    又一体　<span class="q">双调一百四字，前段十句五仄韵，后段九句六仄韵</span>　　　　　　　　　　赵长卿</span>

    风软寒轻<span class="q">句</span>暗香飘<span class="q">读</span>扑面无限清楚<span class="q">韵</span>乍淡乍浓<span class="q">句</span>应想前村<span class="q">句</span>定是早梅初吐<span class="q">韵</span>马儿行过坡儿下<span class="q">句</span>危</span>

    ○●○○　●○○　●●○●○●　●●●○　○●○○　●●●○○●　●○○●○○●　○

    桥外<span class="q">读</span>竹梢疏处<span class="q">韵</span>半斜露<span class="q">韵</span>花花蕊蕊<span class="q">句</span>灿然满树<span class="q">韵</span>　　一晌看花凝伫<span class="q">韵</span>因念我<span class="q">读</span>西园玉英真素<span class="q">韵

    </span>○●　●○○●　●○●　○○●●　●○●●　　　●●○○○●　○●●　○○●○○●

    最是系心<span class="q">句</span>婉娩精神<span class="q">句</span>伴得水云仙侣<span class="q">韵</span>断肠没奈人千里<span class="q">句</span>无计向<span class="q">读</span>钗头频觑<span class="q">韵</span>泪如雨<span class="q">韵</span>那堪又还</span>

    ●●●○　●●○○　●●●○○●　●○●●○○●　○●●　○○○●　●○●　●○●○

    日暮<span class="q">韵</span>

    ●●

    ·

    此亦史词体，惟前后段第九句俱押韵异。　按，《鸣鹤余音》吴真人词，“静无触，气财色酒，一齐须逐”，“异香簇，祥光灿烂，结成仙曲”，正与此同。

    </span>

    又一体　<span class="q">双调一百四字，前段十句四仄韵，后段十一句五仄韵</span>　　　　　　　　谢　逸</span>

    风里杨花轻薄性<span class="q">句</span>银烛高烧心热<span class="q">韵</span>香饵悬钩<span class="q">句</span>鱼不轻吞<span class="q">句</span>辜负钓儿虚设<span class="q">韵</span>桑蚕到老丝长绊<span class="q">句</span>针</span>

    ○●○○○●●　○●○○○●　○●○○　○●○○　○●●○○●　○○●●○○●　○

    剌眼<span class="q">读</span>泪流成血<span class="q">韵</span>思量起<span class="q">句</span>拈枝花朵<span class="q">句</span>果儿难结<span class="q">韵</span>　　　海样情深忍撇<span class="q">韵</span>似梦里相逢<span class="q">句</span>不胜欢</span>

    ●●　●○○●　○○●　○○○●　●○○●　　　　●●○○●●　●●●○○　●○○

    悦<span class="q">韵</span>出水双莲<span class="q">句</span>摘取一枝<span class="q">句</span>可惜并头分折<span class="q">韵</span>猛期月满会垣娥<span class="q">句</span>谁知是<span class="q">句</span>初生新月<span class="q">韵</span>折翼鸟<span class="q">句</span>甚</span>

    ●　●●○○　●●●○　●●●○○●　●○●●●○○　○○●　●●●○　●●●　●

    日于飞时节<span class="q">韵</span>

    ●○○○●

    ·

    此词前段第一、二句作七字一句，与诸家不同，因宋人传诵已久，谓其得风人比兴遗意，采以备体。

    </span>

    又一体　<span class="q">双调一百字，前段十句四仄韵，后段十句五仄韵</span>　　　　　　　　　　　曹　勋</span>

    椒柏称觞<span class="q">句</span>抚寰瀛良辰<span class="q">句</span>正临端月<span class="q">韵</span>瑞应屡臻<span class="q">句</span>宫籞多祥<span class="q">句</span>气候暖回微冽<span class="q">韵</span>圣母七旬寿<span class="q">句</span>夐无</span>

    ○●○○　●○○○○　●○○●　●●●○　○●○○　●●●○○●　●●●○●　●○

    前<span class="q">读</span>天心昭格<span class="q">韵</span>溥庆处<span class="q">读</span>坤珍效祉<span class="q">句</span>宴开清切<span class="q">韵</span>　　金殿箫韶备设<span class="q">韵</span>锵钧奏留云<span class="q">句</span>舞容回雪<span class="q">韵

    </span>○　○○○●　●●●　○○●●　●○○●　　　○●○○●●　○○●○○　●○○●

    赭袍绣拥<span class="q">句</span>袆翟同城<span class="q">句</span>递捧玉杯欢悦<span class="q">韵</span>愿将亿万喜<span class="q">句</span>祝亿万<span class="q">读</span>从兹无缺<span class="q">韵</span>太平主<span class="q">句</span>永隆圣孝凤</span>

    ●○●●　○●○○　●●●○○●　●○●●●　●●●　○○○●　●○●　●○●●●

    阙<span class="q">韵</span>

    ●

    ·

    此亦史词体，惟前后段第七句各减二字，俱作五字句异。　按，曹词别首，“瑞非兰麝比”，“最是关情处”，正与此同。　此词平仄，亦与诸家小异。

    </span>

    又一体　<span class="q">双调一百五字，前段十一句四仄韵，后段九句六仄韵</span>　　　　　　　　　赵长卿</span>

    绿水平湖<span class="q">句</span>浸芙渠烂锦<span class="q">句</span>艳胜倾国<span class="q">韵</span>半敛半开<span class="q">句</span>斜立斜敧<span class="q">句</span>好似困娇无力<span class="q">韵</span>水仙应赴瑶池宴<span class="q">句</span>醉</span>

    ●●○○　●○○●●　●○○●　●●●○　○●○○　●●●○○●　●○○●○○●　●

    归去<span class="q">读</span>美人扶策<span class="q">韵</span>驻香驾<span class="q">句</span>拥波心<span class="q">句</span>媚容倩妆颜色<span class="q">韵</span>　　　曾见苕川澄碧<span class="q">韵</span>匀粉面<span class="q">读</span>溪头旧时相</span>

    ○●　●○○●　●○●　●○○　●○●○○●　　　　○●○○○●　○●●　○○●○○

    识<span class="q">韵</span>翠被绣裀<span class="q">句</span>彩扇香篝<span class="q">句</span>度岁杳无消息<span class="q">韵</span>露痕滴尽风前泪<span class="q">句</span>追往恨<span class="q">读</span>悠悠踪迹<span class="q">韵</span>动怨忆<span class="q">韵</span>多情</span>

    ●　●●●○　●●○○　●●●○○●　●○●●○○●　○●●　○○○●　●●●　○○

    自家赋得<span class="q">韵</span>

    ●○●●

    ·

    此词前结添一字，与诸家异；后结多押一韵，与周词。

    </span>

    又一体　<span class="q">双调一百一字，前段九句四仄韵，后段十句五仄韵</span>　　　　<span class="q">《花草粹编》</span>无名氏</span>

    忽睹菱花<span class="q">句</span>这一程<span class="q">读</span>减却风流颜色<span class="q">韵</span>邻姬戏问<span class="q">句</span>愧我为羞<span class="q">句</span>无语低头寥寂<span class="q">韵</span>珠泪纷纷和粉垂<span class="q">句</span>襟</span>

    ●●○○　●●○　●●○○○●　○○●●　●●○○　○●○○○●　○●○○○●○　○

    袂旧痕干又湿<span class="q">韵</span>但感起愁怀<span class="q">句</span>堆堆积积<span class="q">韵</span>　　杜宇催春急<span class="q">韵</span>烟笼花柳<span class="q">句</span>粉蝶难寻觅<span class="q">韵</span>紫燕喃喃<span class="q">句

    </span>●●○○●●　●●●○○　○○●●　　　●●○○●　○○○●　●●○○●　●●○○

    黄莺恰恰<span class="q">句</span>对景脂消香浥<span class="q">韵</span>篆烟将尽愁未休<span class="q">句</span>乍得御沟玻璃碧<span class="q">韵</span>教红叶往来<span class="q">句</span>传个消息<span class="q">韵

    </span>○○●●　●●○○○●　●○○●○●○　●●●○○○●　○○●●○　○●○●

    ·

    此亦史词体，惟前结减二字，换头句减一字异。　此词前后段第七、八句，句读与诸家不同，平仄亦异。

    </span>

    </span>

    向湖边　　江纬自制曲，因词有“向湖边柳外”之句，取以为名。</span>

    向湖边　<span class="q">双调一百四字，前段十句四仄韵，后段十句六仄韵</span>　　　　　　　　　　江　纬</span>

    退处乡关<span class="q">句</span>幽栖林薮<span class="q">句</span>舍宇第须茅盖<span class="q">韵</span>翠巘清泉<span class="q">句</span>启轩窗遥对<span class="q">韵</span>遇等闲<span class="q">读</span>邻里过从<span class="q">句</span>亲朋临顾<span class="q">句

    </span>●●○○　⊙○○●　◎●◎○⊙●　●●○○　●○○○●　●◎⊙　○●○○　⊙○○●

    草草便成欢会<span class="q">韵</span>策杖携壶<span class="q">句</span>向湖边柳外<span class="q">韵</span>　　旋买溪鱼<span class="q">句</span>便斫银丝鲙<span class="q">韵</span>谁复欲痛饮<span class="q">句</span>如长鲸吞</span>

    ◎●◎○○●　◎●○○　●⊙○◎●　　　●●○⊙　●●○○●　○◎●●●　○○○⊙

    海<span class="q">韵</span>共惜醺酣<span class="q">句</span>恐欢娱难再<span class="q">韵</span>矧清风明月非钱买<span class="q">韵</span>休追念<span class="q">读</span>金马玉堂心胆碎<span class="q">韵</span>且斗尊前<span class="q">句</span>有阿</span>

    ●　◎●○○　●○○○●　●○⊙⊙●⊙○●　⊙○●　⊙●◎○○●●　◎●○○　●◎</span>

    谁身在<span class="q">韵</span>

    ○○●

    ·

    此词前段第五句、结句，后段第四句、第六句、结句作上一下四句法，填者辨之。　此调只有江纬自制词及张栻和词一首，故此词可平可仄，悉参张词。　按，张词，前段第二句“百花风榭”，百字仄声；第三句“游女翩翩羽盖”，游字、上翩字俱平声，羽字仄声；第六句“矧门外、森立乔松”，门字平声，外字仄声；第七、八句“日光争丽，犹若当年文会”，日字仄声，犹字、当字俱平声；第九、十句“廊庙夔龙，暂卜邻郊外”，廊字平声，卜字仄声，郊字平声；后段第一句“共讲真率”，率字仄声；第三句“同萧散寄傲”，萧字平声；第四句“樽罍倾北海”，北字仄声；第五句“佳处难忘”，佳字平声；第七、八句“况风月不用一钱买。但回首、七虎堂中心欲碎”，月字、不字、一字、但字、七字俱仄声，堂字平声；第九句及结句“千里相思，幸前盟犹在”，千字、前字俱平声。谱内可平可仄据此。

    </span>

    </span>

    阳　春　　一名《阳春曲》。</span>

    阳　春　<span class="q">双调一百四字，前段九句五仄韵，后段八句五仄韵</span>　　　　　　　　　　杨无咎</span>

    蕙风轻<span class="q">句</span>莺语巧<span class="q">句</span>应喜乍离幽谷<span class="q">韵</span>飞过北窗前<span class="q">句</span>迎清晓<span class="q">读</span>丽日明透翠帏縠<span class="q">韵</span>篆台芬馥<span class="q">韵</span>初睡起<span class="q">读

    </span>●○○　○◎●　○●●○○●　○●●○○　○○●　●●○●●○●　●○○●　○●●

    横斜簪玉<span class="q">韵</span>因甚自觉腰肢瘦<span class="q">句</span>新来又宽裙幅<span class="q">韵</span>　　对青镜无心<span class="q">读</span>忺梳裹<span class="q">句</span>谁问著<span class="q">读</span>余酲带宿<span class="q">韵</span>寻</span>

    ⊙○○●　○●●●○○●　○○●○○●　　　●○●○○　○○●　○●●　○○●●　○

    思前欢往事<span class="q">句</span>似惊回<span class="q">读</span>好梦难续<span class="q">韵</span>花亭遍倚槛曲<span class="q">韵</span>厌满眼<span class="q">读</span>争春凡木<span class="q">韵</span>尽憔悴<span class="q">读</span>过了清明候<span class="q">句</span>愁</span>

    ○○○●●　●○○　●●○●　○○●●●●　●●●　○○○●　●○●　●●○○●　○

    红惨绿<span class="q">韵</span>

    ○●●

    ·

    此调宋人填者甚少，其可平可仄，惟史达祖一词可校。

    </span>

    又一体　<span class="q">双调一百四字，前段九句五仄韵，后段八句五仄韵</span>　　　　　　　　　　史达祖</span>

    杏花烟<span class="q">句</span>梨花月<span class="q">句</span>谁与晕开春色<span class="q">韵</span>坊巷晓愔愔<span class="q">句</span>东风断<span class="q">读</span>旧火销处近寒食<span class="q">韵</span>少年踪迹<span class="q">韵</span>愁暗隔<span class="q">读

    </span>●○○　○○●　○●●○○●　○●●○○　○○●　●●○●●○●　●○○●　○●●

    水南山北<span class="q">韵</span>还是宝络雕鞍<span class="q">句</span>被莺声<span class="q">读</span>唤来香陌<span class="q">韵</span>　　记飞盖西园<span class="q">读</span>寒犹凝<span class="q">句</span>惊醉耳<span class="q">读</span>谁家夜笛<span class="q">韵

    </span>●○○●　○●●●○○　●○○　●○○●　　　●○●○○　○○●　○●●　○○●●

    灯前重帘不挂<span class="q">句</span>殢华裾<span class="q">读</span>粉泪曾拭<span class="q">韵</span>如今故里信息<span class="q">韵</span>赖海燕<span class="q">读</span>年时相识<span class="q">韵</span>奈芳草<span class="q">读</span>正锁江南梦<span class="q">句

    </span>○○○○●●　●○○　●●○●　○○●●●●　●●●　○○○●　●○●　●●○○●

    春衫怨碧<span class="q">韵

    </span>○○●●

    ·

    此与杨词同，惟前段第八句六字、第九句七字异。

    </span>

    </span>

    送入我门来　　调见《草堂诗余》，宋胡浩然除夕词，有“东风尽力，一齐吹送，入此门来”之句，取以为名。</span>

    送入我门来　<span class="q">双调一百四字，前后段各十句，四平韵</span>　　　　　　　　　　　　胡浩然</span>

    荼垒安扉<span class="q">句</span>灵馗挂户<span class="q">句</span>神傩烈竹轰雷<span class="q">韵</span>动念流光<span class="q">句</span>四序式週回<span class="q">韵</span>须知今岁今宵尽<span class="q">句</span>似顿觉明年</span>

    ○●○○　○○●●　○○●●○○　●●○○　●●●○○　○○○●○○●　●●●○○

    明日催<span class="q">韵</span>向今夕<span class="q">句</span>是处迎春送腊<span class="q">句</span>罗绮筵开<span class="q">韵</span>　　今古偏同此夜<span class="q">句</span>贤愚共添一岁<span class="q">句</span>贵贱仍偕<span class="q">韵

    </span>○●○　●○●　●●○○●●　○●○○　　　○●○○●●　○○●○●●　●●○○

    互祝遐龄<span class="q">句</span>山海固难摧<span class="q">韵</span>石崇富贵籛铿寿<span class="q">句</span>更潘岳仪容子建才<span class="q">韵</span>仗东风尽力<span class="q">句</span>一齐吹送<span class="q">句</span>入此</span>

    ●●○○　○●●○○　●○●●○○●　●○●○○●●○　●○○●●　●○○●　●●

    门来<span class="q">韵</span>

    ○○

    ·

    此体创自胡浩然，明人有减字者，恐不中律吕，故不编入。

    </span>

    </span>

    绕池游慢　　调见《涧泉词》，韩淲西湖看荷作。</span>

    绕池游慢　<span class="q">双调一百四字，前后段各十句，四平韵</span>　　　　　　　　　　　　　韩　淲</span>

    荷花好处<span class="q">句</span>是红酣落照<span class="q">句</span>翠蔼余凉<span class="q">韵</span>绕郭从前无此乐<span class="q">句</span>空浮动<span class="q">读</span>山影林篁<span class="q">韵</span>几度薰风晚<span class="q">句</span>留望</span>

    ○○●●　●○○●●　●●○○　●●○○○●●　○○●　○●○○　●●○○●　○●

    眼<span class="q">读</span>立尽濠梁<span class="q">韵</span>谁知好事<span class="q">句</span>初移画舫<span class="q">句</span>特地相将<span class="q">韵</span>　　　惊起双飞属玉<span class="q">句</span>萦小楫冲岸<span class="q">句</span>犹带生</span>

    ●　●●○○　○○●●　○○●●　●●○○　　　　○●○○●●　○●●○●　○●○

    香<span class="q">韵</span>莫问西湖西畔路<span class="q">句</span>但九里<span class="q">读</span>松下侯王<span class="q">韵</span>且举觞寄兴<span class="q">句</span>看闲人<span class="q">读</span>来伴吟章<span class="q">韵</span>寸折柄枝<span class="q">句</span>蓬分</span>

    ○　●●○○○●●　●●●　○●○○　●●○●●　●○○　○●○○　●●●○　○○

    莲实<span class="q">句</span>徒系柔肠<span class="q">韵

    </span>○●　○●○○

    ·

    此韩淲自度腔，无他首宋词可校。

    </span>

    </span>

    索　酒　　调见《松隐集》，自注四时景物须酒之意。</span>

    索　酒　<span class="q">双调一百四字，前段十句四仄韵，后段九句四仄韵</span>　　　　　　　　　　曹　勋</span>

    乍喜惠风初到<span class="q">句</span>上林红翠<span class="q">句</span>竞开时候<span class="q">韵</span>四吹花香扑鼻<span class="q">句</span>露裁烟染<span class="q">句</span>天地如绣<span class="q">韵</span>渐觉南薰<span class="q">句</span>总冰绡</span>

    ●●●○○●　●○○●　●○○●　●○○○●●　●○○●　○●○●　●●○○　●○○

    纱扇避烦昼<span class="q">韵</span>共游凉亭销暑<span class="q">句</span>细酌轻讴须酒<span class="q">韵</span>　　江枫装锦雁横秋<span class="q">句</span>正皓月莹空<span class="q">句</span>翠阑侵斗<span class="q">韵

    </span>○●●○●　●○○○○●　●●○○○●　　　○○○●●○○　●●●●○　●○○●

    况素商霜晓<span class="q">句</span>对径菊<span class="q">读</span>金玉芙蓉争秀<span class="q">韵</span>万里同云<span class="q">句</span>散飞霙<span class="q">读</span>炉中焰红兽<span class="q">韵</span>便须点水傍边<span class="q">句</span>最宜著</span>

    ●●○○●　●●●　○●○○○●　●●○○　●○○　○○●○●　●○●●○○　●○●

    酉<span class="q">韵</span>

    ●

    ·

    此曹勋自制曲，其平仄宜从之。

    </span>

    </span>

    瑞云浓慢　　按，杨无咎《逃禅集》，有七十五字《瑞云浓》，与此不同。</span>

    瑞云浓慢　<span class="q">双调一百四字，前段十句四仄韵，后段十句五仄韵</span>　　　　　　　　陈　亮</span>

    蔗浆酪粉<span class="q">句</span>玉壶冰醑<span class="q">句</span>朝罢更闻宣赐<span class="q">韵</span>去天咫尺<span class="q">句</span>下拜再三<span class="q">句</span>幸今有母可遗<span class="q">韵</span>年年此日<span class="q">句</span>共道</span>

    ●○●●　●○○●　○●●○○●　●○●●　●●●○　●○●●●●　○○●●　●●

    是<span class="q">读</span>月入怀中最贵<span class="q">韵</span>向暑天<span class="q">读</span>正风云会遇<span class="q">句</span>有甚嘉瑞<span class="q">韵</span>　　鹤冲霄<span class="q">句</span>鱼得水<span class="q">韵</span>一超便<span class="q">读</span>直入神</span>

    ●　●●○○●●　●●○　●○○●●　●●○●　　　●○○　○●●　●○●　●●○

    仙地<span class="q">韵</span>植根江表<span class="q">句</span>开拓两河<span class="q">句</span>做得黑头公未<span class="q">韵</span>骑鲸赤手<span class="q">句</span>问如何<span class="q">读</span>长鞭尺箠<span class="q">韵</span>算向来<span class="q">读</span>数王谢</span>

    ○●　●○○●　○●●○　●●●○○●　○○●●　●○○　○○●●　●●○　●○●

    风流<span class="q">句</span>只今管是<span class="q">韵

    </span>○○　●○●●

    ·

    坊本此词，后段脱“算”字、“数”字，今从《龙川集》校正，平仄无他首可校。

    </span>

    </span>

    霜花腴　　吴文英自度腔，因词有“霜饱花腴”句，取以为名。</span>

    霜花腴　<span class="q">双调一百四字，前后段各十句，五平韵</span>　　　　　　　　　　　　　　吴文英</span>

    翠微路窄<span class="q">句</span>醉晚风<span class="q">句</span>凭谁为整敧冠<span class="q">韵</span>霜饱花腴<span class="q">句</span>烛销人瘦<span class="q">句</span>秋光作也都难<span class="q">韵</span>病怀强宽<span class="q">韵</span>恨雁声<span class="q">读

    </span>●○●●　●●○　○○●●○○　○●○○　●○○●　○○●●○○　●○●○　●●○

    偏落歌前<span class="q">韵</span>记年时<span class="q">读</span>旧宿凄凉<span class="q">句</span>暮烟秋雨野桥寒<span class="q">韵</span>　　妆靥鬓英争艳<span class="q">句</span>度清商一曲<span class="q">句</span>暗坠金蝉<span class="q">韵

    </span>○●○○　●○○　●●○○　●○○●●○○　　　○●○○○●　●○○●●　●●○○

    芳节多阴<span class="q">句</span>兰情稀会<span class="q">句</span>晴晖称拂吟笺<span class="q">韵</span>更移画船<span class="q">韵</span>引佩环<span class="q">读</span>邀下婵娟<span class="q">韵</span>算明朝<span class="q">读</span>未了重阳<span class="q">句</span>紫萸</span>

    ○●○○　○○○●　○○●●○○　●○●○　●●○　○●○○　●○○　●●○○　●○

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